- Narrowing a topic from a "big watermelon," a broad, general topic such as "my trip to California" or "My dog" into a "small seed," which is a more specific moment in time - for example, instead of "my trip to California," the topic could be "my first time surfing" or "meeting Mickey Mouse at Disneyland."
- Generating lists of ideas and then writing entries off of those lists. The students thought of people, places, or objects that mattered to them, made lists of times spent with those people, places or objects, and then selected items off their lists to write entries in their Writers' Notebooks.
- Generating ideas from the first times and last times they experienced things.
- Understanding that their narratives didn't have to be about something huge that happened in their lives; just something that had some significance to them.
- Study published writing to get ideas for how to create the lead, or opening sentences, of their stories.
- Tell the difference between summarizing the events of a story and actually telling the story.
- Creating a "heart" to their story by thinking about what they really wanted to get across in the story and determining what would be the most important part.
- Slow down the action by adding thoughts, action, dialogue, and description (or TADD) to critical scenes
- Use the closing of their stories to really drive home the central ideas of their stories.
- Tell the story from their perspective and staying within that perspective throughout the piece.
- Adding even more detail to critical moments by bringing in memories of the past (flashbacks) and thinking into the future (flash forwards).
- Making sure they are breaking their texts up into paragraphs, with each paragraph signaling a new speaker speaking, a change in place or time, or a new key idea.
- Varying the length of their sentences so their writing can give a sense of flow.
- Checking their spelling, word choice, and verb tense.
- Using commas correctly
-Mr. Ullman
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